Little Bucket of Whims

Candide is the story of the failures of Optimism (the philosophy, not the attitude). It is the detailing of one character’s miseries after another to demonstrate the invalidity of the claim that everything is for the best, and that this world is the best of all possible worlds. In the end, the posse of main characters happen upon a Turk farmer who is unlike all the other personalities they have thus far encountered in the story in that he is not royalty, not of the noble cast, and not a distinguished member of the Church. The farmer does not lead a lavish life, he is not a man of means-- but he does have enough means. He has some acreage of land, and he has a wife and children who work with him to maintain this “garden”. This plot he sees as his lot in life-- not riches and gold, nor titles nor fame, nor a quest for answers to the great philosophical questions of morality and the existence of evil, of the existence and purpose of God; only to keep at bay the three known evils-- boredom, vice, and necessity- by spending his days cultivating his garden.

The last line of Candide (spoken by Candide),

“All that is well and good, but we must go and cultivate our garden.”

may be interpreted from either an optimistic point-of-view or a pessimistic one. Perhaps tilling the earth in the literal fashion, leading an organic life and maintaining our attachment to the earth that begets life is truly the way to happiness, satisfaction, or purpose. Or perhaps the last line can be viewed as an extremely banal and trite conclusion to a sweeping exploration of an influential philosophical paradigm. In this pessimistic interpretation, the banality of the last line mirrors the banality of life itself, that after all this searching and questing for truth, for purpose, for meaning, it turns out that the joke is on us for (a) thinking there was more to life than survival or (b) thinking that even if there was a grand design or purpose, that we were part of the elite, privileged crowd who could or would be allowed to comprehend such a design or purpose, when in truth, we are no better than mice on a ship, for whom the captain doesn’t give a damn.

All this talk of purpose and design and gardening brings me to a bar in West Philadelphia, where one night I went with some friends for a breast cancer awareness benefit (or something). I ordered sweet potato fries from the menu and it came in this cheap silver tin bucket along with a ramekin of sweet and spicy mustard and another ramekin filled with barbeque sauce. As the dinner coursed on, gardening came up and I chatted on to my friends for a while about the book Candide as I did above. As time ticked on and the sweet potato fries dwindled, a strange attachment began to form between me and the cheap tin bucket. Suddenly, I found that I wanted nothing more than to take that bucket home and plant a little garden in it of my own. Would that be stealing?

“You can get the same thing from Target for under a dollar!”

“Yes, but it wouldn’t be my bucket. It didn’t hold my sweet potato fries.”

Sure I was being irrational and saying stupid things just to say things-- as I often do-- but as also often happens, my words began to take hold, and by the end of the dinner, I really did love that little bucket more than anything. I dreamed at the table of what sort of flora I could plant into it-- flowers or herbs? I took a sheet of “Where the Wild Things Are” stickers that my friend had on hand for the event and plastered my bucket with childish images of monsters on swings and children pretending to be monsters. Already, it was like a child to me. How quickly and easily meaning and attachments are formed!

I stashed my tin baby in a plastic sack along with my leftovers and brought it home with me that night. It spent the night on the kitchen counter unwashed, still reeking of the oils from the deep-fried potato cuts.

Two days later, I gave my bucket its first cleaning with orange-scented Dawn dish soap. It maintained its tarnished image and its stickers, but was relieved of the grease. I set it upside down on a paper towel to dry.

Two nights later, as I ambled through the city streets, on my way home from work, I felt myself seized by the balmy night air so unusual for the month of April, and by the beautiful blooms that hung heavily from the branches that not a month ago and for months before that had stood stripped of life, barren, skinny and wanting. I passed under the eaves of a large cherry blossom tree bursting with miniature pale pink bouquets and thought of my bucket. Half a block later, I doubled back to the tree, reached up and plucked one of the miniature bouquets from one of the thick stems branching out of the mother trunk.

“Don’t kill the flowers!”

I whipped my head around and caught a glimpse of the soothsayer in the dark as he flashed by on his bike. His words trailed behind him. I looked down at the flowers I had just plucked. Already a flurry of petals had been shaken from their fragile attachments and laid a-scattered on the sidewalk.

What remained of the bouquet ended up in my bucket shortly thereafter. I decided the following that evening as I stood back and admired my bucket now dressed to the nines in princess pink: the contents of my little bucket would change perpetually and unexpectedly, depending on nothing in particular and with no particular timeline. It would be a bucket of whims; it would not be your average potted plant.

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